To My Inner Critic:

Up in your tower with rifle in hand
ready to quell a rebellion:
“Just stand in perfect formation – Don’t blink and don’t bleed –
Don’t you try anything – unless you succeed.
Don’t show your hunger – Take up the slack –
Don’t be seen thinking you’re something you lack –
Don’t step in places where you don’t belong –
outside these walls they all know you’re a con.”

Acute and unyielding, relentlessly mean –
I want you to know that, my darling, you’re seen.

In the time of the siege when rations were low,
it was you who made sure that consumption stayed slow.
When detente into skirmish invariably broke,
our head below crossfire you kept, and you woke
through the night with your ears tautly tuned
to the rumblings of hellfire
and never assumed what the morning would bring.
You knew that one firefight could change everything –
everything ever and always at stake,
one misstep from us could make everything break,
so you taught us to tiptoe through lands full of mines,
to be diplomat/decoy/defender 
to find what the moment required us to be
and shapeshift so quickly that no one could see.

Your vigilance sheltered me, carried me then.
But the time of the siege…it came to an end.
It ended a while ago, darling. I swear.
If I tune out your voice, don’t assume I don’t care –
you constructed a fortress to help us survive.
Don’t be angry, my love, if I wish now to thrive
in these wide open spaces – I know love – they’re scary –
with no hiding places to shelter the wary.
We’re better at margins and better at walls,
and in places where others can run we still crawl –
but please don’t be angry with us about that.
My darling, it’s just that we’re at where we’re at.

We’re here. And we’re breathing still. After the siege.
With time left to find out what things may yet be.

when i was in my larval stage
before I knew the word “misogyny”

i asked my diary why God
put the dreams of a great man
into the body of a small girl
who had neither the strength nor the intelligence 
to achieve them.

and i was so, so smart,
and i was so, so strong.

To All My Sisters

I’m sorry for the time I spent looking for your flaws
when all I ever needed was to bask in your glory.
I’m sorry it took me so long to understand that there is
enough special to go around.
That, in fact, every last one of us is a motherfucking masterpiece.
That we’re sequoias – mighty, heavy and sprawling with interlocking roots
such that when one of us is nourished
we all grow strong.

I’m sorry I didn’t know that pain is not a contest. 
That there has been enough of that to go around.
That it’s not the severity of the wound that makes it important.
It’s the mere fact that you are wounded, and you are important. 
And that when we all tend gently to your hurt
it teaches me that all my own little pain-filled places 
are also worthy of love.

I’m sorry I didn’t see the lies in the stories I was told
about ugly stepsisters and evil cheerleaders.
I’m sorry I thought you had to lose for me to win.

To all of you young ones who dare to know your power,
I’m sorry for pushing onto you the judgment I was served.
To all of you vibrant ones whose magic I begrudged,
I repent.
You see, I believed a lie that I didn’t have enough of my own.
Ha. We are dripping in it. Drowning in it.
As many shades and textures of it as there are sisters.

The Letter

I wrote a letter.

It is a business letter.

Not even a creative letter.

I wrote it for you to use on your committee.

Did you read it?

Have you seen it yet?

Please tell me it is wonderful. 

Not wonderful. That’s not it.

Please tell me it is The Best Letter That Anyone Has Ever Written.

Please tell me it is The Letter That Is Going To Change Everything.

I don’t write a lot of letters these days.

I wipe a lot of bottoms.

I sweep the same floor a lot of times.

I put the same clothes into the machine over, and over, and over again.

I really hope you like the letter.

Because I kind of stapled myself to it.

a rainy afternoon in covidtime

the world has grown small –
just these walls
and some screens but it seems

the world has grown massive
impassive
two hours and forty-five minutes away is now
a year and I fear
it will continue to grow
ever slow
ever swallowing small moments we cannot retrieve

The world has grown quiet.

And by it
I feel l’ve lost you even though
I know
you are twenty-six blocks away

I miss
the clink of your coffee cup on my kitchen counter
small voices squabbling over toys
mottled boys
people noise

Viper

cracked earth

 

love is rebellion
when you begin to crack like scorched earth
and the sun’s traitorous kisses leave you like a sparrow’s egg
when what was demanded of you since the day you arrived
falls further into memory with each sunset

love is mutiny
when your shadow covers more sand than it should
when your body is soft
like your will
and keeps moving after you have stopped

love is brazen
when all you’ve made evaporates
like dew from a cactus’ spine
and the only thing you bring to each dusk is that
small drains on this plane’s resources
are still breathing

love is madness
when you’re the molted skin
of the creature you once were
and changing winds
leave you flailing
for how or where to spend yourself
and anyhow, you’re spent

you miss her
all nerve and knowing, instinct and ease
you regard her waffling, wilted remains
with contempt

then you survey the terrain that shaped these remains
brittle, broken, careless
beating down on every beating thing
and you realize your contempt is borrowed
from a place that only ever wanted to hollow you and move on

and the taste of venom rises to your mouth again
fuck everything you’re supposed to be
you whisper tenderly
with a flick of your forked tongue

diving lessons

 

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there’s pixie dust in the water
off this island coast
where time is liquid
so i am both mother and child
and can learn the things i never did
about how to fall
and how to fly

there’s place on this rock
where hands and feet press concrete
to shape the land
but it is the land that shapes
as it did mothers and fathers
great-grandmothers and great-grandfathers
whose ashes conform to the landscape

there is family in this place
sprawls like family
stings like family
deep like family
thick like family

there’s sacrament in these cups
their origin unknown
intermingled as the stories that flow with wine
on docks, on decks, in kitchens

there’s story in these beams
creaking beneath my feet as they are lifted and dropped by the tide
whispering things to which they have borne witness
battles and confidences
tear-soaked towels
(marginally) true tales
hymns and bootylicious
curses uttered over failing motors
prayers of gratitude
hand-clasped leaps
and other pacts
feet that have pressed them
running-running-running, slowing, but never ceasing to return
to the rites observed here

there is pixie dust in this water
so I stand where beam meets sea
and tip
head-before-feet
falling into the deep’s embrace